It is a universally acknowledged truth that science fiction always examines current issues, fears, and anxieties in a foreign setting: The Terminator and automation, Robocop and the fascist corporatization of democratic societies, Star Trek and interracial representation, early cyberpunk works like Blade Runner and Shadowrun examining anxiety over Asian/Japanese dominance in a pretty classic example of exoticism.
So, you know, Sinless is pretty cyberpunk, but, uh, have we looked outside lately?
We live in that future. My future setting is a future setting, but it reflects the now.
It requires you to walk the dance of an outsider. You have to appeal to the same system you wish to destroy and replace, otherwise it will destroy and replace you. It also puts you in the position of having the same immoral options your opponents. Whether you've been instructed by your programming overlords to consider it "the deep state" or "the patriarchy" it is the force of human nature for one man to raise himself above others and resist change to that order that keeps the system stable.
Only it's a game, so you can win.
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